Open Arms
— Student Exhibition
 

This exhibition questions the disappearing essence of our actions and states. When the designers of the Student Exhibition decided to pack and go back to Beirut, the exhibition was a structure with no filling. Shall we exhibit a new content as if the first exhibition never existed, or shall we respond to the disappearing exhibition? Theater, live events, and exhibitions are a work-in-progress, a continuous interaction with their surroundings and elements. The “empty” exhibition was reminiscent of deconstructionism, a concert of oppositions, meaning and utterances. On the planks of the wooden board, we wrote this manifesto in English, Arabic, Czech, Spanish and French.

Scenography without content
Content without thinking
Thinking without brains
Brains without intelligence
Intelligence without body
Body without soul
Soul without vibration
Vibration without energy
Energy without impact
Impact without imagination
Imagination without audience
Audience without performance
Performance without performers
Performers without text
Text without words
Words without music
Music without sound
Sound without space
Space without scenography

Scénografie bez obsahu
Obsah bez myšlení
Myšlení bez mozků
Mozky bez inteligence
Inteligence bez těla
Tělo bez duše
Duše bez vibrací
Vibrace bez energie
Energie bez dopadu
Dopad bez představivosti
Představivost bez publika
Publikum bez představení
Představení bez umělců
Umělci bez textu
Texty bez slov
Slova bez muziky
Muzika bez zvuků
Zvuk bez prostoru
Prostor bez scénografie

سينوغرافيا من دون محتوى
محتوى من دون تفكير
تفكير من دون دماغ
دماغ من دون ذكاء
ذكاء من دون جسد
جسد من دون روح
روح من دون تموّج
تموّج من دون طاقة
طاقة من دون وقع
وقع من دون خيال
خيال من دون جمهور
جمهور من دون عرض
عرض من دون ممثّل
ممثّل من دون نصّ
نصّ من دون كلام
كلام من دون موسيقى
موسيقى من دون صوت
صوت من دون مساحة
مساحة من دون سينوغرافيا

Scénographie sans contenu
Contenu sans réflexion
Réflexion sans cerveau
Cerveau sans intelligence
Intelligence sans corps
Corps sans âme
Âme sans vibration
Vibration sans énergie
Énergie sans impact
Impact sans imagination
Imagination sans audience
Audience sans performance
Performance sans interprètes
Interprètes sans texte
Texte sans mots
Mots sans musique
Musique sans son
Son sans espace
Espace sans scénographie

Escenografía sin contenido,
Contenido sin pensar,
Pensar sin sesos,
Sesos sin inteligencia,
Inteligencia sin cuerpo,
Cuerpo sin alma,
Alma sin vibración,
Vibración sin energía,
Energía sin impacto,
Impacto sin imaginación,
Imaginación sin público,
Público sin actuación,
Actuación sin actores,
Actores sin texto,
Texto sin palabras,
Palabras sin música,
Música sin sonido,
Sonido sin espacio,
Espacio sin escenografía

Curator: Hadi E. Damien

Designer: Omar Khattar

Manifesto: Hadi E. Damien (for the original English, Arabic and French versions); Omar Khattar (for the Spanish translation) and Kristina Sedláková Salibová (for the Czech translation)

With grateful thanks to Giorgio Bassil


Young and feisty Moonstone Design House invests the space of the student exhibition. Designers Hans Harling and Sasha Elijah exhibit striking headpieces while creating new ones with the participation of PQ visitors. The student exhibition celebrates young talent, and encourages emerging designers by providing them with space and exposure during the international PQ. The exhibition braves new thought, stimulates the imagination, and provokes reactions. It reveals initial sketches, thoughts, and objects, and offers a walk into the boundless imagination of two young, creative minds.

The creative process showcases the creation of a concept, its drafting and execution. The exhibition invites the audience into the space of the young designers and engages them in creative exchange that eventually affects the outcome, and that brings new perspectives into what often becomes the foundation of a future design work. We question how the executed product differs from its original sketches under the impulse of execution and the public interaction.

PQ2019 visitors are invited to engage with the designers and to take part in the fabrication process. Learn more about Moonstone Design House and contact Hans and Sasha though their Facebook page.

The exhibition follows the curatorial approach of the PQ that asks to refrain from creating black box in particular, and walls in general, thus producing a landscape of student exhibitions.


EN — We are a circle. We stand in the center of our space and gaze at our borders, recognizing no beginning, recognizing no ending. We circumvent our lives in a continuous flow of cyclic movements that alienate our production. We’ve decided to open the circle in half, yet without breaking it, stretching our perceptions, unfolding our layers. The circle becomes a children-drawn bird that flies in the sky of the imagination. It frees our head and declutters our minds.

CZ — Stojíme ve středu našeho vesmíru, upřeně se díváme na naše hranice a nepoznáváme žádný začátek ani konec. Když tento model prolomíme, rozšíříme naše vnímání a rozvineme naše vrstvy jako ptáci nakreslení dětmi, kteří létají na obloze představivosti, s osvobozenou myslí a mozkem zbaveným chaosu.

PQ Student Exhibition Curatorial Statement: We are living in the era when young designers face an increasingly difficult task in finding connections and employment. PQ exhibitions and festival provide a great opportunity to bring together all generations of designers and to establish new connections. Some of the most inspiring ideas are often hidden away in designer's drawers never to be realized or seen by anyone. The beginning utopian sketches, thoughts, and objects often become a corner stone of important future design works. We should use our energy to find and encourage the designers whose thinking is brave, stands out, stimulates ones imagination and provokes a strong reaction. We need to give an opportunity to the young designers who are in the most fragile state, just leaving the safety of the university environment, and who are producing brave, fresh, experimental works of design. Finding ways to exhibit performance design and scenography is at the core of PQ exhibits. There is no one answer and no one solution. In the case of this competitive exhibition there are no limits to how... Young fantasy is limitless; we are not concerned with produced work. Any approach from immersive environments, through installations, to any other creative form of presenting scenographic thinking that includes the audience as an active element is valid.

Theme: Imagination
Imagination is the link to infinite possibilities and an origin from which genuine creative insights arise. It is a doorway into the place where we dream up and conceive new worlds, universes with their own inner laws and utopias. We draw them up pushed by urge to share our thoughts with others, and hide them when they don’t seem to fit the limits of the production. The exhibition brings drawings, notes, models, as well as searching for deeper meaning, and glimpses of the far corners of fantastic inner worlds.

Curator: Hadi E. Damien
All PQ2019 exhibitions and projects are curated, which means that participation is by selection through an open call application process. For the Exhibition of Countries and Regions and for the Student Exhibition, inclusion is selected through a process established by the national curator. All other PQ2019 projects are handled, curated and selected by an international board of leading practitioners.

Exhibition Designers: Hans Harling & Sasha Elijah

A Competitive Exhibition
The Student Exhibition is among other PQ2019 competitive projects that have prizes awarded by an international jury for exceptional work, such as the Golden Triga award to the best Exhibition of Countries and Regions. Non-competitive projects, though curated for participation, do not have prize categories.

Area: 16 m2 (4x4)

Venue: Prague Exhibition Grounds

Opening Hours: Thursday 6 to Saturday 15 June 2019, from 10 am to 8 pm / Saturday 8 June 2019, from 10 am to 11:59 pm / Sunday 16 June 2019, from 10 am to 6 pm

The Student Exhibition is the second main component of the Prague Quadrennial of Performance Design and Space. The Section is handled by the country (or region) national curator, in charge of the organization, the finance and the artistic supervision of the exhibition. The country application to the section is not subject to curatorial review by the Prague Quadrennial artistic director ; entries are accepted and the exhibitions are competitive and eligible for the PQ Awards. Be it an installation, a performance space or an exhibition, the Student Exhibition features "the best" of scenography works that have been created in the country during the previous years by students, young designers and new emerging design studios.